https://bit.ly/3EIpMTy, Desert songs: Arizona Opera @azopera has announced its 2023-4 season in Phoenix and Tucson, including the premiere of Frankenstein by Gregg Kallor. Opolais\s maternal grandfather was Greek, so the occasion meant much at a personal level, and Athens was a reminder that a Maria Callas video given to Opolais when she was younger had been a galvanizing influence. I need to feel the pain to then understand the problem. Sometimes it has worked against me, but most of the time it's my biggest strength.". The birth of their daughter Adriana that December marked another joyous milestone. During Adrianas early years, the soprano had taken her daughter everywhere she could. She flinches at the notion of diva-dom. Opolais, despite her glamorous demeanor, captures the fragility of a simple girl captivated by Rodolfo, but destined to succumb to "consumption" (as tuberculosis was known then). It shouldnt only be about that. Its hard to be so-so everywhere so I wanted to give myself time to recover psychologically.. Im not saying that Im a killer (laughs), but I understand her passion and envy. And then the rest, the lower notes, have to come with your body., She noted that she will likely give herself two years to prepare the role, adding that it is her favorite Puccini opera, alongside Tosca.. In this honest and humble interview with Final Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. As a commanding Latvian blonde, she seems hardly the ideal physical type to portray a diminutive, 15-year-old geisha. Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini's early hit. This kind of intense emotional approach comes with its risks for those that like things a bit more predictable, but it also allows the performer to be open to new possibilities onstage. I had been partying with colleagues after the production (laughs), there was no way I could do it! Many would say that this is exactly what sets Opolais apart today. The results were widely lauded and Opolais couldnt be happier. After. Today, I walk on stage and I completely transport into the character. A second attempt went better, and she got a place at the Latvian Academy of Music. Most importantly, Ive no interest in making beautiful sounds, my voice doesnt drive me in the slightest and its a small part of my expression. In this honest and humble interview with. Im no longer me and the audience isnt there. Biography[ edit] Opolais was born in Rzekne, Latvia, and studied at the Latvian Academy of Music. Singing went well, but not the theory, and Opolais is forthright about that disinclination to apply herself: Even at school I had problems-in mathematics it was a big protest, because I didn\t want to do it; it was not interesting. Opolais has also been a rising name but has recently faced mixed reviews, with some critics hearing a thinning of her voice. I can relate to every part of her role and I adore her. And to top things off, in her private life she just didnt feel she was able to give her fullest both artistically and as a mother for Adriana, who will turn seven at the end of December 2018. Margreet gave me the opportunity to find my natural voice-she actually changed everything, step by step,\ says Opolais. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. All women who are singers and mothers, I admire them tremendously because it is so challenging, almost impossible to do both at the same time really well.. RENE FLEMING HAS SAID THAT YOU REPRESENT A NEW STYLE OF SINGER, WHAT DID THAT MEAN TO YOU? I stepped onto the stage, I opened my mouth and thankfully it came out. The results were widely lauded and Opolais couldnt be happier. "I started to lose voice, presence, colors, everything," she revealed. In 2007 too, Tosca was the role in which Opolais made her Greek National Opera debut. So to get that approval from Rene meant the world to me. KRISTINE OPOLAIS: With this I was preparing myself a lot more, because it was a lot of text I didn't know, it was very interesting studying the translation myself and asking a lot, it was quite a long preparation time, and of course with every debut role you need time. I was born in that moment and from then the contracts came flying in. Ironically, its a gift because what upsets others doesnt affect me. Shes very sensitive. So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. Yet, despite such success, her gut feeling was that things weren\t right; she didn\t much like her own voice and wanted to think carefully about her next moves. Shes struggled with figuring out how to balance being a good mother and good artist. Today I can only say that Im thankful for my experience as I really know what bad is. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. I couldnt focus my brain on the arts because of divorce, heath issues and chronic tiredness, and also my daughter was going to school and I didnt really have time for my art. Look, you are one of the most horrible kids, and you have low marks!-not in every subject, I should say!-I said I will not need it and I was right.\. (Laughs) Yes, I am very jealous! When I get home, I try to just be there for my daughter. I only want to give my best, and I love my profession, but I also need silence. As the terrible news dawned on her, her body sank to the floor; we watched a woman break, wrote Bachtracks Robert Levine. All rights reserved. MADAMA BUTTERFLY was never my favorite Puccini until the . So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. But as Adriana grew, she realized it was selfish. In her mid 20s she was enjoying the success many dream about and with which most would be content. But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. And I knew that that was not good for her either. Kristne Opolais Soprano Home Performances Repertoire Videos Photos Reviews Contact 178 Photos 49 Videos Livestream & Full performance videos (5) Performances All performances From arts organisation / verified by Operabase From artist / agent m Matine t Tour c Concert 12 Jul - 20 Aug 2023 Tickets Carmen, Bizet Opera: Staged , In October of 2010, she made a sensational debut at the Bavarian State Opera in Munich in the title role of the new production of Dvorak's Rusalka directed by Martin Kusej. I tend to bring more pain in my interpretations of Rusalka I relate to her differently because of my life experiences. Famously, in 2014 Opolais made history at the Met, making two role debuts within 18 hours. On Fryderyk Chopins birthday, heres one of the songs his friend the great Pauline Viardot arranged from his mazurkas. The company's new production of Manon Lescaut, which just ended its run, featured Kristine Opolais and Roberto Alagna as the leading couple, an A-list duo that . Vocally, the soprano has always noted that she takes time to warm up in a performance. Ive done it in the past and I wont do it again, I can only bring myself to a role. Im not saying that Im a killer (laughs), but I understand her passion and envy. Now her perspective has shifted somewhat on the role, as she feels that Cio-Cio Sans sacrifice comes with the understanding that her child will be in a better place without her. "Vocal cords start to tire after two hours. She doesnt need poison. It\s safe to predict that she will throw herself into the part with absolute conviction. roh.org.uk/productions/tosca-by-jonathan-kent. Latvian National opera director Andrejs agars about Kristine Opolais Her net worth has been growing significantly in 2021-2022. Opolais admits that for better or worse, she has always been one to do things her own way. Now the soprano is at the Metropolitan Opera in the title role of Suor Angelica as part of Puccinis Il Trittico. The production has placed a huge spotlight on Plcido Domingo for his 50th anniversary, but Opolais, who performed for the 50th time on the Met stage in the opening night performance, has found herself fulfilled by the experience and widely lauded for her interpretation. Her process comes down to immersing herself fully in a character and then just living the experience onstage, with warts and all. At first she refused, but quickly rang back. The Editor noted the electricity generated by the starry leads [] Here Covent Garden struck gold. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said I knew youd do it. So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. After all, this is an artist who decided to drop out of the conservatory despite being told repeatedly that she would never have an opera career if she didnt finish her studies. If you dont take risks, youll never drink champagne. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. The other massive factor was that it was a live HD broadcast going out worldwide and it would be there forever. When shes done right, shes an extremely sexy and sensitive heroine. 11,266 15:05 a commence aujourd'hui. AfterButterflyOpolais had enjoyed a celebratory, try-to-wind-down supper, eventually getting to bed at 5am. All images displayed in this article are subject to copyright. I don\t act it, I live it, but I feel I cannot do it another way.\. It feels like one big force watching me and keeping me safe. After that step in at The Met, my manager told me to always trust my gut over anyone else because everyone around me would have told me to say no. Now, she could not look away. The connection is so strong that when the curtain falls that force disappears and I get a profound sense of loneliness. When I was 26 and singing Aida, I was listening to Aprile Millo at the Met and it helped a lot. Her voice has taken on a deeper, richer sheen and she always plays her romantic scenes to the hilt. Adriana was happy to see me at home with her, but I was depressed, Opolais noted. And she is very talented, but she is also very shy.. In my mind, as strange as it sounds, Im performing to two big eyes looking at me. So for a better part of 2018, the soprano spent more time in Latvia to be with Adriana as she commenced her elementary school studies in Riga. Now Im strong enough to say no. I never had to ask for anything, my mother always believed in me and my dad was loving and sweet. - OPERA Charm Magazine The connection is so strong that when the curtain falls that force disappears and I get a profound sense of loneliness. It\s fairly certain that Opolais will wow New York once again next spring when she and Jonas Kaufmann sing in Richard Eyre\s new production ofManon Lescaut, with Fabio Luisi conducting. 49,093, The bible of the industry, OPERA has been the worlds leading commentator on the lyric stage for over 70 years. It was the first time she performed the role on stage, despite having a recording released a few years ago. At home, I am a mother, a daughter. Tell us about your approach to building a character. I was kind of crazy, but this was obsession in a good way.\. Of course, the sopranos next few productions are as the famed diva who lives and dies for love and art. If I work at home, people tell me to take it easy. "Vocal cords start to tire after two hours. I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. I remember her face after the production. I immediately said no, what crazy person would have said yes? Quite aside from her impassioned singing and acting, Kristine Opolais is what the Edwardians would have called a stunner - a rangy blonde in tight black leather trousers who sails into the room. June 16, 2017. In October 2010, when Nina Stemme pulled out of the Bayerische Staatsoper\s newRusalka, Opolais stepped into the breach, figuratively and literally: Martin Kuej\s vision for the piece-captivity and abuse inviting comparison with the notorious Josef Fritzl case-meant her spending much of the evening soaking wet. I have a survival instinct that I cant turn off. She needs to start her life.. Opolais now looks back at those early years, asking herself how she did it and at what cost. With her "lovely, youthful, effortlessly nuanced voice" (Community Digital News) and "penetrating theatrical presence" (New York Observer) Latvian Soprano, Kristine Opolais is in demand on the world's great stages, such as the Metropolitan Opera, Wiener Staatsoper, Teatro alla Scala and Royal Opera House Covent Garden. Obsession. So to get that approval from Rene meant the world to me. As a director he demonstrated what he wanted in terms of the acting. Its not something I can do when I am performing. Im an actress first and the voice follows. One might imagine that an international star like Opolais would be able to find a plethora of opportunities in Eastern Europe or specifically in Latvia to perform, but the soprano noted that it becomes increasingly difficult for her to dedicate herself to her art in her home country. Then shewent on tourwith the Gewandhausorchester Leipzig, also under Nelsons. I am ready to give more than I have ever given, she stated. Opera Magazine Features People Kristne Opolais. Im an actress first and the voice follows. If people tell me I cant, I try and find the way to do it anyway, she stated. Opera is thriving. Opolais experimented a bit more with how she approached the staging, and then she understood that I didnt need to be so active in certain parts. [2] Opolais started her career as a member of the chorus with Latvian National Opera in 2001, and in 2003 became a soloist. "It's madness. How do you get yourself into the psychological space to get through something so daunting? Opera Magazine Features People Kristne Opolais, Obsession. Most importantly, Ive no interest in making beautiful sounds, my voice doesnt drive me in the slightest and its a small part of my expression. Over the past few years, the Latvian artist has found herself questioning her own artistic identity and ending her marriage. Unfortunately, what Ive learned from this career is that thinking logically will get you nowhere. I was born in that moment and from then the contracts came flying in. Opolais is OK a little shrieks at times but Artur Rucinski has a great voice, I had never heard him or Demitry Korchak before but was very impressed with the vocal technique and quality and interpretation. I just remember I wanted it, and I thought I could do it. Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini's early hit. Over the past few years, the Latvian artist has found herself questioning her own artistic identity and ending her marriage. At the Academy, frustrated by the apparent need to conform to a type, Opolais already sensed she wasn\t like everyone else. Its crazy.. I have a survival instinct that I cant turn off. I never use a score when conducting my orchestra Does a lion tamer enter a cage with a book on how to tame a lion? The great conductor Dimitri Mitropoulos was born in Athens #OTD in 1896. It gives you a compass to go on and to measure a situation quickly. I had just performed my debut in Madama Butterfly and I got a call the following morning at 7.30am from Peter Gelb asking me to do La Bohme at midday for the HD broadcast. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and "focus only on singing." She listened and adjusted. Happy browsing! Tosca is almost defined by her jealousy and she has every right to be. I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. A Butterfly For the Ages. I went through a lot of things, but now I understand that I love my art the way that I do it, she enthused. Pianist Mitsuko Uchida will play in four concerts in the second installment of her three-season Perspectives series. Again, the comparison with Butterfly is inevitable. It was the beginning of a beautiful friendship. People just wanted me to sing and thats it. It was spellbinding. I can relate to every part of her role and I adore her. I had just performed my debut inMadama Butterflyand I got a call the following morning at 7.30am from Peter Gelb asking me to doLa Bohmeat midday for the HD broadcast. Latvian soprano Kristine Opolais, who has sung the title role at Covent Garden, played the young temptress whose brother (baritone Massimo Cavaletti) is packing her off to a convent. I had been partying with colleagues after the production (laughs), there was no way I could do it! Its important because it lets us remember who we are and the things we can and cannot do, soprano Kristine Opolais told OperaWire in a recent interview. So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. Where does your head go when you perform? Praised for his "vocally magnificent, radiant and distinctive tenor" (Opera Aktuell), this season Jonathan Tetelman signed an exclusive multi album agreement with leading record label Deutsche Grammophon and has released his debut album 'ARIAS'. Kristine Opolais's income source is mostly from being a successful . My singing is part of the complete package. She needs to see her mother happy also. Kristine Opolais is one of the most sought after sopranos on the international scene today. If I have to say something nasty with bad energy, then that cannot be beautiful. Yet Opolais is an artist. I asked her why she didnt like it and she said, Because youre crying. She sees me suffering and it hurts her. You also have the option to opt-out of these cookies. Latvian soprano Kristine Opolais has withdrawn from the Boston Symphony Orchestra's upcoming performances of Dvork's large-scale cantata "Stabat Mater," conducted by BSO music director Andris. It shouldnt only be about that. I am not afraid. One time I showed her a video a YouTube of me performing and she started to cry, Opolais revealed. If I work at home, people tell me to take it easy. Now Im strong enough to say no. What she does with the breath and the voice is like singing yoga. Earlier in my career I was extremely sensitive to the energy of the audience, which is great when its a good audience, but if its a tough crowd it can really affect your performance, so I had to fix that. I immediately said no, what crazy person would have said yes? Despite his late-hour assumption, with one eye on Kristine and the other on the conductor Alagna still managed to caress the vocal line, lingering on the phrase "O tentatrice" ("Oh, you temptress"), where he admits that Manon has once again bewitched him, as Opolais went into her lounge act. 16:15 Affaire conclue, tout le monde a quelque chose vendre. He also holds a dual bachelors from Hofstra University in Film Production and Journalism. Teenage years in post-Soviet Latvia were not easy, her upbringing not straightforward-Kristne, an only child, learnt to fend for herself. . You cannot be relaxed when you go on stage, if youre not afraid then theres something very wrong. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. This masterpiece, popular worldwide, inexplicably took 92 years to reach Metropolitan Opera, where the . Opolais and her management are understandably cautious about flagging up what lies further ahead, though the singer drops occasional hints, with Elsa inLohengrinpossibly on the cards. at the Bayerische Staatsoper. There was a lot of shit in my past, thats the only word I can use to describe it. Sign up to the Opera magazine newsletter and be the first to know the full details of the latest issue, what productions are happening around the operatic world this month, free access to the digital archive with our '50 years ago', special announcements and discounts. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. As her hair and makeup team begins to work, Opolais playfully reaches for the bottle of champagne that's just arrived as a gift from the house, joking that she might need it to calm her. NEW YORK It wasn't the first time he'd heard her sing. When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. Her conclusion? I tend to bring more pain in my interpretations of Rusalka I relate to her differently because of my life experiences. People just wanted me to sing and thats it. I got through those early years by listening. What keeps her living? A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and focus only on singing., I started to lose voice power, presence, colors, everything, she revealed. It feels like one big force watching me and keeping me safe. Ms. That response is surely a clue to what has brought Opolais, at 35, to where she is today, in huge demand at some of the world\s biggest houses, feted for her singing of Puccini roles-most recently Manon Lescaut, with Jonas Kaufmann as Des Grieux. In this rendition the singing is marvelous. I know danger and I know what it is to suffer I didnt need to study to be an actress because I went through all the emotions Im presenting on stage. 18:35 N'oubliez pas les paroles. kristineopolais.com Posts Reels Videos Tagged Show More Posts from kristine.opolais She appears as Tosca at the Vienna State Opera in January followed by performances of the opera at the Royal Opera House in the Spring. YOUVE MANAGED TO STEP IN FOR PERFORMANCES THAT VERY FEW SINGERS WOULD HAVE BEEN ABLE TO DO. I am not afraid. And now the . Not knowing the production, she was walked through it, and went on to give another searing performance. She is from Latvia. Kristine Opolais: The more experienced you are in your past with difficulties, or somehow with some emotional or relationship issues, the more this brings important point to light for you, as a Puccini singer. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. She found herself increasingly trapped and other challenges were taking away from her being able to sort out her identity as an artist. For this reason, she loves rehearsals because she has the time and space to understand the characters emotions and anticipate the pain and suffering that she will have to endure when she gives herself over fully to interpreting the person in the performance. If you think "celebrity couple," Angelina and Brad might come to mind, but when it comes to the hottest couple in the world of classical music, it's Latvian-natives Soprano Kristine Opolais and Boston Symphony Orchestra's music director Andris Nelsons. All the cast sounded as if singing in different rooms. If you want to just sound beautiful, save that mentality for the recording, but keep it away from the stage. The 52-year-old's peerless voice still in my ears, I stroll through Naples towards Teatro di San Carlo - the world's oldest continuously active opera house, and where last night he sang . When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. Today, I walk on stage and I completely transport into the character. Dvok's music is of course very close to my heart, but as I continue my journey through different repertoire my voice is changing and this work is no longer a perfect fit for me vocally. And while the character is onstage from the start, she doesnt really have much to sing until halfway through the work when she is confronted with the news that her son has died. But then it was like my mind started talking to me, saying . "It's madness. After that step in at The Met, my manager told me to always trust my gut over anyone else because everyone around me would have told me to say no. It is a heavy role for the soprano. But, at the end of each one, I could feel the vocal strain and I knew it was not good.\, It was her fellow Latvian Elna Garana\s suggestion that Opolais seek lessons from her own teacher, Margreet Honig. When she gets the news that her son is dead, she should probably die right there. Was depressed, Opolais struggled with not being able to do it all the cast sounded if. In the title role of Suor Angelica as part of her voice, Opolais struggled not... Reach Metropolitan Opera a recording released a few years ago was like my mind, as as... Commence aujourd & # x27 ; s madness ; t the first time he & # x27 ; heard... Her passion and envy Riga to understand what it is to live one. Tourwith the Gewandhausorchester Leipzig, also under Nelsons madama BUTTERFLY was never favorite. That for better or worse, she has always been one to do about kristine Opolais & # ;. Probably die right there opportunity to find my natural voice-she actually changed everything, & quot it. 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