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Man, woman decapitated after car slams into big rig on 5 Freeway in San Fernando Valley. We think of LaFaro as a jazz bassist with leanings toward classical music; its the lan, I think. . Former Major League Baseball pitcher Scott Erickson has been charged in connection with a hit-and-run crash in Westlake Village that killed two . They spent so much time discussing music, listening to records, at the piano, they were inseparable. The bass was badly damaged in the automobile accident that killed him, but was eventually restored and is sporadically used in performance to honor LaFaro. Youll have to adjust your ears, but theyll fall into line quickly. Shortly after, their collaboration began. My mom was still pregnant with my last sister. We also spent time at the First Presbyterian Church choir. He was visiting some friends west of Geneva and was driving home late when he crashed. So if you were all living in California, how was it that your brother was near Geneva when he died? On March 5, 2014, the Geneva (New York) City Council approved making April 3 Scott LaFaro Day. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. On December 19 and 20, he took part in John Lewis, Gunther Schuller, and Jim Halls Jazz Abstractions sessions, with buddy Bill Evans and Eric Dolphy. Killed in a car accident aged just 25, Scott LaFaro was widely regarded as the most technically gifted bassist of the 20th Century. LaFaro began by practicing his fingers off. A jazz musicians legacy can be a multifarious slope. Composer: Styne / Sondheim Tales are told of how much John Coltrane practiced, but you could say the same about the bassist from Newark. It will be observed on his birthday anniversary, April 3. Evans, according to Motian, would play "I Loves You Porgy," a song with which he and LaFaro became synonymous, almost obsessively, but always as a solo piece. In sum, LaFaro visited Geneva, his home town, spent some time with some local friends, drove one of them to visit a mutual friend, left to return to Geneva, fell asleep at the wheel, hit a tree near Flint, NY, seven miles east of Geneva, and burned to death. 1950s - 1960s. What happened to your brother after Ithaca College? He played a lot of top, cymbals, and Scotty wanted more drums, says Kuhn. Is that a bass thing? He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long. In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. Click to reveal Jade Visions: The Life and Music of Scott LaFarorecounts how three days after his appearance at the Newport Jazz Festival with the Stan Getz Quartet, hed driven to Geneva, NY to take care of some business related to his mothers home there. Little, another ill-fated star of the period who died at 23 in October 1961, described LaFaro in the liner notes as distant, but closea paradox that resolves only for those who were simpatico. He also recognized Scottys distinctiveness as an innovator who was much more of a conversationalist behind you than any other bassist I know[Hes] technicallyabout the greatest bassist we have. Remarking on the solo LaFaro plays on Bee Tees Minor Plea, the trumpeter said, The bass is a crude and rude instrument, but Scott makes it into something else. Helene says Scotty would have loved being described as something else, since I could remember how excited [he] was when he brought around to play for me the first record of Ornettes he owned,Something Else.. Performers: Buddy Morrow, tb; Walt Stewart, tp; Dick Johnson, as; Scott LaFaro, b; plus unidentified other musicians. Composer: Porter: Born in Newark, New Jersey, United States,[1] the son of a big band musician, LaFaro was five when his family moved to Geneva, New York. Evans, LaFaro, and Motian were committed to the idea of three equal voices in the trio, working together for a singular musical idea and often without any musician explicitly keeping time. Such is the legacy of bassist Scott LaFaro, though I would suggest that what was was more than we often think. This album is widely considered to be one of the best in the Evans canon, and the type of emotive interplay between the musicians that at some points seemed almost deconstructed has served as a model for piano trio play. Cloudflare Ray ID: 7a154b16ff047cd4 Scott died instantly and the world lost a talented andinnovative musical voice. He remembered that Scotty was dressed up for the Newport appearance. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. As weve already noted regarding the time period right around his tragic death, LaFaro packed a lot of art into his days. comments . Everything. The title track, a musical portrait of Evans' niece, became a staple of his live repertoire in later years. My father passed away (from a heart attack) in 1957. This website is using a security service to protect itself from online attacks. New England Public Media | After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. Press question mark to learn the rest of the keyboard shortcuts, https://www.youtube.com/watch?v=gZ_rZZusz90, https://www.youtube.com/watch?v=RbTEgBEaEM4. In Jeff Campbells essay, Scott LaFaro: The Complete Musician (an addendum toJade Visions), he singles out the trios performance of So What, saying that LaFaro and Kuhn engage in a brief musical dialogue just prior to the return of the theme[improvising] melodic ideas that are intertwined in a conversational manner. Campbell notes that LaFaros accompaniment on Whats New is much more activethan the traditional conventions of ballad playing., It is an interesting fact, Campbell asserts, That the earliest example of LaFaros active, conversational ballad accompaniment was with Steve Kuhn and not Bill Evans. When I ran this claim by Kuhn, he said, I dont agree with that necessarily. This brings about the situation of whether I should spend these hours and months developing what I seem to be able to foresee, or should I dump it and get another job as an entertainer again. Chops: What Bassists Listen for in Drummers, The 10 Best Jazz Albums of the 1950s: Critics Picks, Year in Review: The Top 40 Jazz Albums of 2022, Year in Review: The Top 10 Historical Albums of 2022, Chops: What Bassists Listen for in Drummers. Tonight Show, 14 Feb 1957. Oscar Peterson Trio . Jan. 30, 2021 1:47 PM PT. We were like brothers., Six months before the session with Kuhn, LaFaro recorded with trumpeter Booker Little on April 13 and 15. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. Village Vanguard, 25 June 1961. Stan was playing a melody, and Scott began doubling it. Its there for a reason, and thats not solely to complement the proof of the magic that occurred at a New York City club in late June 1961. The three not duplicated here were played only once that day. [5] He left that organization to work in Los Angeles. Evans was an articulate interweaver of a pianist, a melodic speaker, a filigree lord rather than a rhythm king. Toggle filters. Chicago, 1956. Bud Powell. Q: When did your brother start getting interested in music? Your family ended up following Scotty out to California. Tracks. I was 19 and working. She proposed the demo as something to shop around to record labels; alas, nothing came of it. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine's top 100 bass players of all time.[2]. All is possible, and then all is no more. Like Evans, Kuhn, whod arrived on the New York scene in 1959 as a 21-year-old Harvard grad, was being managed by Helen Keane. Security video shows a crash in the Reseda neighborhood of Los Angeles which left a driver dead. Member Of . Right there on stage, Stan stopped playing and yelled, MF, Ive got the melody! Notwithstanding flair-ups of this kind, Kuhn says that Getz held LaFaro in the highest regard. Sign in to continue reading, Sixty years after the bass greats untimely death, a look at his musical legacy beyond the Bill Evans Trio. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. They worked together with vocalist Dick Haymes, whose road show included dancers and a comic. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 28 Dec 1958. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York, [5] on U.S. Route 20 between Geneva and Canandaigua, [9] four days after accompanying Stan Getz at the Newport Jazz Festival. A post-bass bass player, maybe. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. On date night, people would end up at The Smith. ai! He quoted Evans, who said, Im hoping the trio will grow in the direction of simultaneous improvisationIf the bass player, for example, hears an idea that he wants to answer, why should he just keep playing a background?, Scotty, of course, heard and answered plenty of ideas. Kuhn is uncertain about exactly where he met LaFaro, but says it was most likely when he heard the Evans trio at the Five Spot late in 1959. Performers: Stan Getz, ts; Steve Kuhn, p; Scott LaFaro, b; Roy Haynes d. Newport, 2 July 1961. "[12], In 1988, Insights label of RVC Corporation in Japan released Memories for Scotty. Upon returning to L.A., LaFaro phoned his friend Herb Geller, who was then playing alto with Benny Goodman in New York. Tracks such as "Solar" (RealAudio excerpt), from the Village Vanguard sessions, highlight his ability to play high notes with surprising speed. The group includes Victor Feldman, Stan Levey, and trombonist Frank Rosolino. He played in a trio or quartet at Belhurst from the time he got back until he died. Born in Irvington, New Jersey, the son of a big band musician, Rocco Scott LaFaro (April 3, 1936 - July 6, 1961) was five when his family moved to Geneva, New York. Shortly after, he acquired a bass made in 1825 in Concord, New Hampshire by Abraham Prescott. To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. And youre out, Death letyou out, Death had the Mercy, youre done with your century, done with God, done with the path thru itAllen Ginsberg (b. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz for Debby, albums considered among the finest live jazz recordings. "[3], It was voted number 465 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[10]. - The Absolute Sound Scott LaFaro's Pieces of Jade features long-lost material recorded in New York City shortly before the bassist's death in a car accident in 1961. Expansive range was a totem of the LaFaro sound, the idea that the bass was so much a bass that it was also not a bass and more than a bass. There is fealty and gratitude in Evans approach to that famed date, and we have our early summer day out with the best of chums, people we feel are our musical friends. Put one way: Scott LaFaro was up for it. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. Scotty sat in. Musician. Q: Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? ", In 1966, Evans spoke with George Clabinabout what he called his "complexand quick relationship" with Scotty, and said his technique was "built throughintuitive insightand fire, as some kind of a spark in him which took over and he would just grab the bass and he would work and work and work and work and he would just lay it down. The great bassist is best known for his work with the Bill Evans Trio between 1959 and '61, and for the tragic car accident that claimed his life on July 6, 1961, two weeks after the trio's legendary performance at the Village Vanguard. A driver was killed when a car crashed into a home in the Hancock Park . It is these performances, currently available as Sunday at The Village Vanguard and Waltz for Debby that comprise the number one best jazz live recording in this present series. Mom needed the money. I suppose technically, yes, though its also far more, and thats a LaFaro thing. Composer: Gillespie Also included is "Porgy", originally omitted for lack of space.[]" Composer: Porter Already a member? He was excited. Composer: Coleman My dad loved the director, so we had to go and have that experience as well. Brooklyn, NY The other day at school someone mentioned Red Mitchell taking the bass which was in the car crash that killed Scott LaFaro back to Kolstein's in pieces, and Kolstein, fairly recently, restored it. Tom was honored by the Jazz Journalists Association with the Willis Conover-Marian McPartland Award for Career Excellence in Broadcasting in 2019. She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. He was visiting some friends west of Geneva and was driving home late when he crashed. In the latter case, Getz fired LaRoca and hired Roy Haynes, but Kenton wasn't about to be second-guessed. Dont get fancy, no double beatsPlay whats written.LaFaro flew east, passed the audition, and signed on for a six-week tour of one-nighters with Goodman. When Evans returned to the trio format later in 1962, it was with Motian and bassist Chuck Israels.[2]. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. Lafaro's innovative bass playing, which combined virtuoso technique with a counter-melodic conception, was captured in all its glory at the Vanguard on June 25, 1961. It remains what is likely Evans' most well-known song,[citation needed] one that he would play throughout his career. That is what so many families Sunday ritual were like. I never knew how Scotty felt about my playing until Paul told me later that the first time Paul heard me it was because Scotty had dragged him out in a snowstorm, "You've got to hear this great bass player with Ornette!"[18]. My mom was still pregnant with my last sister. [10] Also, Club 86 was bringing in major stars as well. It was then he fell in love with the tenor saxophone. Smith Opera House is owned and operated by the Smith Center for the Arts, a private not-for-profit 501(c)(3) corporation. Mangione remembersLaFaro calling Baker an American tragedy, and says, Over the years, [Scotts] using the term an American tragedy still strikes me as incredibly ironic and portentous [given what happened] that night., At about 1:45 on the morning of July 6, LaFaro apparently fell asleep at the wheel and veered off Route 5-20, hitting a tree and killing himself and Ottley instantly. So they were constantly trying for fresh approaches and fresh improvisationsAnd Bill told me, I remember it exactly, If I played the same lick on a tune two nights in a row, the next time I playe dit Scott would play it with me in harmonyhe would actually harmonize it so that at that point it was time for me to get rid of that lick and move on to something else.Is that what LaFaro was trying to bring to Getzs attention at the Blackhawk? In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. I was also told by classical bass players that this also changed things for them because as was with all music pretty much up until then, the bass was considered more of a rhythm instrument only. My day consists of such a singular preoccupationthe physicology of music. How did that happen? Bill had first heard Scotty with Chet Baker three years earlierNot long after we were back off the Goodman tour, there was a call waiting for Scottythat Bill wanted him to work with him., The first meeting of what became known as the trio took place at a Tony Scott recording date on October 28 and 29, 1959. What were Scotts childhood and teen years like here in Geneva? Helene makes no secret of LaFaros exacting standards and competitive personality, and she quotes many who testify to the same. Performers: Victor Feldman, p, vib; Scott LaFaro, b; Stan Levey, d. 22 Jan 1958. That show typically includes stories about LaFaro, who forever changed the jazz worlds concept of what bass playing could accomplish with his counter-melodic style. Is that a jazz thing? Labels. Create an account to follow your favorite communities and start taking part in conversations. It was an idyllic childhood. At that years Monterey Jazz Festival, LaFaro performed with both the Coleman Quartet and Gunther Schuller. As he put it, being out with a leader who was a junkie put him at risk of being strandedThe tensions ebbed and flowed [that] afternoon, but strangely enough we were accomplishing what we had set out to doThe lesson to be learned here is probably something about the value of professionalism., While LaFaro was cautious about touring with Evans and eschewed drug use (Kuhn says he was healthy as a pigdidnt smoke, drink, use drugs, but he liked to drive fast), he was intrigued by Bills interest in Zen meditation, which he practiced and discussed with Helene when he stayed with her during a Getz engagement in L.A. It was there his career exploded. Dad (Joe LaFaro) never forced us to play music. Performers: Hampton Hawes, p; Harold Land, ts; Scott Lafaro, b; Frank Butler, d. 14 Mar 1958. He recorded with pianist Don Friedman as well. This year The Smith is excited to have National Endowment of the Arts Jazz Masters, Kenny Barron (piano) and Dave Holland (bass), together on stage on Saturday, April 6. Haynes shared with Scotty a fastidiousness about clothing, and hed just been named toEsquiresBest-Dressed list. Evans also went on hiatus after LaFaro's death for a period of several months. LaFaro died in an automobile accident on July 6, 1961 in Flint, New York on U.S. Route 20 between Geneva and Canandaigua, four days after accompanying Stan Getz . Let us be grateful that he didnt rest easy during what would prove to be the last Christmas season of his life, for in December 1960, he was called in for a couple of dates that we must look to every bit as much as the June 1961 Village Vanguard recordings to fully appreciate him. These two albums, recorded less than two weeks prior: https://www.youtube.com/watch?v=gZ_rZZusz90 https://www.youtube.com/watch?v=RbTEgBEaEM4. LaFaro left Morrow and settled in Los Angeles in 1957. Los Angeles Fire Department crews were called to the scene to extinguish the blaze. Styles. After three months at Ithaca College, he concentrated on bass. [My] early years at the university were thoroughly engaging intellectually but were also a time of deep introspection. How did that happen? When did your brother start getting interested in music? He practiced from sheet music for the higher-pitched clarinet to improve his facility the upper register for bass. Thanks to Rifftides readers Frank Roellinger and Svetlana Ilyicheva for alerting us that last Thursday, Geneva honored LaFaro on his 78th birthday by proclaiming April 3rd its first annual Scott LaFaro Day. Its no knock on Charlie Hadena formidable pioneer himselfto say that if hes a bass player, LaFaro is something else, to use the Coleman argot. [15][16], According to Joachim Berendt, LaFaro's innovative approach to the bass caused "emancipation", introducing "so many diverse possibilities as would have been thought impossible for the bass only a short time before". LaFaro went on to perform with Victor Feldman, Chet Baker, Benny Goodman, Stan Kenton, Stan Getz and Ornette Coleman. Pictures of people only please! Active. That huge sound and strength of attack is finger-sprung alone. Gleason commented, It is, however, as a vehicle for bassist Scott LaFaro that the LP really impresses. Later in the year, he toured and recorded with the Cal Tjader-Stan Getz Sextet. In 1959, after working with trumpeter Chet Baker, bandleader Stan Kenton, vibraphonist Cal Tjader,[6] and clarinetist Benny Goodman, LaFaro returned east and joined Bill Evans, who had recently left the Miles Davis Sextet. Also, the exertion of a formidable musical will to take what was there, in an act of guidance. For many, that Evans association, with drummer Paul Motian, is the LaFaro legacy. LaFaro also played opposite bassist Charlie Haden in alto saxophonist Ornette Coleman's experimental double quartet on Free Jazz. Pianist Pat Moran, who led a trio that Scott toured and recorded with in 1958, says he was was very aware of his genius and used to love to go into clubs and intimidate bass playersHe was quite a character, lots of fun. Moran is little known today as Patti Moran McCoy, butin 1960 LaFaro was quoted ina profile written by Martin Williams forJazz Review, I dont even like any of my records except maybe the first one I did with Pat Moran., https://www.youtube.com/watch?v=2HAbUcKTdcI. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock . My sense has always been that the music of this slipstream space needs him, all but knocks on his door and asks the helmsman to come out again. 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Returned to the trio format later in high school, kids would go to the movies with friends.

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