So all these people dont mind being shown in their most vulnerable state on national TV and even Watson at times ask the subjects if they would like him to turn the camera off. He acts incredibly friendly with her by holding her shoulders when talking to her, slapping her cheek when she has fallen asleep from drinking etc. Due to the nature of the subject, I believe there were always going to be complex ethical issues in terms of filming. Mark is being exploited towards the end of the film when he goes crazy and starts crying, screaming, vomiting etc. Kath now struggles on a severely limited income. This is getting a lot more personal. Since 2016 we have been able to harvest 15 Bucks over the magical 200 inch mark, many eclipsing 215 inches and two bucks over 245 inches. There are so many implicit positives such as the awareness it gives people of the truth about alcoholism, its broadcasting the problems in society like a fresh scar, so audiences cant ignore or forget what they have learnt. When he asks of her troubled past, he is very interrogative as he continues to ask until she is brought to tears by the discussion of her brothers death, but rather than stop, he pushes on. Which questioned the showing of Nigel s death (one of the four subjects and one that pat away). It becomes less objective, and much more personal between him and Vanda. To this statement Vanda agrees and understands the relationship between the two of them. Music Video BOWY Rain In My Heart Featured In Album Beat Emotion BOWY Listen to RAIN IN MY HEART on Apple Music. As for Nigel, it can be said that he was exploited less than others, because his wife was constantly present, therefore she could control the actions of the filmmakers. He would stop filming if the interview got too personal, if the subject would ask to stop the interview or refuse to go on even further, and he even questioned the subject the following day as to whether she was happy with him including the footage he had captured. Yes it does raise awareness, and the documentary was good, however, to feel taken back is not the sort of emotion one should try to evoke. It was graphic, saddening and an uncomfortable viewing but I was overwhelmed by its message. Property surveys are public records and you can request a copy of any existing surveys from your county or local municipality. Thus, having the camera in front of them made me feel that there was a sense of pressure on them to fulfil a certain image of an alcoholic. Also, i think observation style makes audience to get more shock by the scene without explanation. To clarify, I dont think hes exploiting anyone in this film. I can see why he added this into the film but I think it did effect the overall tone and flow of the documentary. On the one hand, Paul Watson did get these peoples consent to be filmed. That is a very emotional documentary that began in the hospital with 4 characters and ended in each of their homes- some of them were drunk, the rest are dead. This can be seen when Watson is speaking to Toni about her addiction, something that Toni profusely denies she is. Frank SinatraCycles 1968 Frank Sinatra Enterprises, LLCReleased on: 1990-01-01Producer: Don C. There are certainly points in this film in which I believe that the subjects were exploited. Change). Firstly there is very little music (it sounded like the grating pop track at Nigels funeral was actually being played live on a stereo) The camera work seems to lack precision and is only there for immediacy. I feel as though Watson was trying to be as ethical as possible, baring in mind his need to capture this shocking footage in order to create the Documentary. Overall, I do not feel that Paul Watson has exploited the subjects in his film. It is hard to be objective about this film because it is so easily relatable to me, I live equidistant from Medway hospital and Maidstone hospital, and most people avoid Medway because of its reputation. This stuck with me throughout Rain In My Heart, a film which I found pretty difficult to watch. I think it is not proper for observational documentary, Watson deliberately shows his audience of certain moments to lead them into a certain emotion, which i think might be too subjective. I think the problems of ethics in filmmaking cannot be solved. WEEK 4 QUESTION:Are there moments when you feel that Paul Watson has exploited his subjects in this film? No need . Sometimes grief feels very isolating. In all of these I recognise issues which could be perceived as exploitative. As with the film, this documentary presents some uncomfortable and hard to bear realities. She was also married to him. " "Before there is peace, blood will spill blood, and the lake will run red. Thanos was gone. Their addiction affected them not only when they were drunk, but physically as well as mentally, when they were sober too. From a personal level I felt it was very moving and eye opening to me on this subject. Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. However, there is a clear relationship change when we see Watson come to Vandas house for the first time and through his camera both Watson and we, as the audience spectate that she is noticeably drunk and has brought herself another bottle of vodka. This is a scene which perhaps does challenge the idea of ethics by posing the question of how FAR can we go to observe? He found the only four people that were willing to take part in this film not to paint them in a bad light, but rather to show the general public what excessive consumption of alcohol could do to a person and how it can affect them physically and mentally, as well as their families. On Thursday, in a special follow-up film for Newsnight, Paul revisits two of the alcoholics from the film, plus the widow of one of those who died during filming. Rain In My Heart is a documentary that is observing four alcohol abusers Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 from the impoverished Medway towns of north Kent. Even though there is not exact evidence of Kath saying this to Watson, I believe that if she had thought differently the scene would be cut out since it is such a dramatic and personal event. RAIN IN MY HEART. Watson is not overly invasive at any point, and if anything my only criticism would be that he sometimes gives too much insight into how he feels about what is happening during filming, which I find unnecessary. I didnt expect Rain in my Hearts to emotionally affect me as much as it did, though we were warned. That he doesnt so anything to stop them drinking is a part of their own agency, and I believe shows more respect than if he had intervened. Watson most definitely fulfilled what he set out to do and in order to do that, I feel he had to push the boundary as far as he did to achieve this hard-hitting documentary. As he sits and tells the audience his own personal views, this for me, made him seem more human. On the positive side of the argument I agree that Watson, through the cut away shots he includes throughout the film, allows himself to be more personal with the audience. Half a bottle of vodka on the train to work at the age of 17 began Mark's journey into alcoholism. However, I do not think that Watson intentionally tried to exploit his subjects. Watson states from the very beginning of the film that he is working with the only four patients who have agreed my intrusions and me filming their hell. A good example of his moral doubts is when he asks himself Am I an ambulance chaser? and is a clear way of showing how documentary makers may react with barely contained glee when they get material of extreme situation that can make good TV A prediction such as this can alter the way she behaves and this documentary is no longer just an observation of her progress. This for me over steps the boundaries of ethical filming. It is obvious that this documentary was extremely influential to those who have seen it, I have attached a link below of a Facebook page a viewer has made (who obviously has personal issues and experience with alcoholism). Because the participants in the film are always in a very fragile state because of their problems, it makes the audience question can they actually give valid consent? I want to quickly point out that, I didnt like the parts in the film where he became the self-reflexive type and centered the documentary on his own emotional state. However, I dont think you should abuse the power and trust given by the four patients. Posts; 4,539. However I feel this issue raised WAS ethical as after Vanda gave him that information, he explicitly asked her to again give him consent the morning after that occurred so that she could give consent when she wasnt drunk. I felt connected to him because he was allowing us, the audience; to see that he too was going through an ethical debate about whether what he was filming and the position he was taking was morally right. But that is not a bad thing. 0. There were moments where I felt the subjects may have been exploited by Paul Watson but, this being said, I dont see a way around this problem. The truth of this film is that it brings attention to parts of life that as a society we tend to stay quiet about and so by being a representation for people who go through something so scary, life changing and threatening it can never appear wholly ethical. At this weeks lecture, the first slide read Documentary is most creditable when it comes as close as possible to the experience of someone actually there. https://www.youtube.com/watch?v=jjy8Z1hK2wY fromSchindlers List, Set to music, shot in thegorgeous shadows of black and white, and perfect balanced frames. As Watson edits his film himself he gets to choose what stays in the final cut, therefore raising other ethical issues as he may have only chosen to show the subjects at their worst and in very emotional states. A prime example of exploitation was the most vulnerable and interesting subject-Vanda. I think that Watson when immersed with these subjects he formed a friendship with, learning to really like some of them and he himself tries to stop some of his subjects from drinking because he wants to see the best happen for them. My point being, Watson could have constructed his Documentary in a more ethical way (probably without capturing the outstanding footage he managed to get) or could have been completely unethical by being dominantly intrusive and not taking into consideration personal boundaries, I do believe he has balanced these to an acceptable standard. In The Cove (2009) we needed to see how they got the cameras where they did, but in this film I felt that Watson should have left his comments for the bonus DVD. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. When telling Vandas story, I felt he was very close to her, almost to the point where it could be seen as a personal relationship. My eyes are dry, my love, since you've been gone, I haven't shed a tear, I'll never cry, my love, though every day seems like a hundred years, For I'm just a fool who clings to his pride but when I'm alone, I can hear the sound of rain in my heart, of the tears that I hide, And it tears me apart, 'cause I keep them inside, I can't get away from So I guess Im not satisfied with his attempts to explain himself during the film, but only because I think he didnt need to in the first place. Revisiting Rain. Another point worth making is that every person has a different view of whats going too far. Seeing the filmmakers process on screen is great when theyre doing something that you need to see. Boozenight, which included Paul Watson's follow-up to Rain in my Heart, was shown on Thursday, 13 Dec on BBC TWO. This is seen in the film when Watson is speaking to one of the patients, Vanda, one of the few who agreed to, as Watson describes it; let him intrude into filming their hell. Watson explains to Vanda, whilst she is still a patient in hospital, that when he comes to interview her again at her house he will not be able to help her, he will take a spectator approach. Paul Watson. He is a quite good interviewer, especially in the interaction between him and the characters. The question of the ethics of filmmaking is clearly something that is troubling to Watson. Therefore, Watsons approach definitely satisfied me with how delicately he treats the patients and clearly recognizes his role as filmmaker. If Watson couldnt do that, it wouldve been a pointless project. Then again, as Watson argues: If some of us dont record it, none of us will know about it.. A stage of construction must have taken place and although the Documentary as a whole seems as real as possible because we take a true insight into the lives of severe alcoholics, Watson has already manipulated his Documentary by constructing the reality before the show had even commenced. Maybe it could be argued that editing was used too much in this film as it told you how to feel at certain points. Filmed over the course of a year, Paul Watson's camera follows them from Gillingham . The world was slowly healing. Overall I felt as if Paul Watson didnt exploit his subjects, they all consented to being observed and he used that to create a telling and shocking encounter with those suffering from alcoholism. The documentary was quite raw as Watson did show his subjects when they were at their most vulnerable, when they had no real control of what they were doing. Sober too been a pointless project & # x27 ; s camera follows them from Gillingham this Vanda! 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