Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. "Picture To Burn" is a scorned teen's "Before He Cheats" swapping shooting whiskey for rumor mills with a grown woman's wit and a veteran songwriter's aptitude. Any album judgment requires not just multiple listens, but the passage of time to sit with the music. But past skeptics be damned, the album has stood the test of time, with many now backpedaling their initial criticisms to revel in her unabashed outbursts of rage and ecstasy and its thematic anchor of tender love and care. Keefe. First released in 2008, its original release won the Grammy for Album of the Year, and thirteen years later in 2021, Fearless (Taylors Version) became the first of Swifts re-recorded albums to drop. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. this is everything before Red (Taylor's Version) it took so l. Another remote collaboration composed in secret, evermore is a sort of epilogue to the backwoods mythos and backdoor relationships on folklore, delving into new character studies with a familiar, folk-infused air of coulds, woulds, and shoulds. "Mine" proves this point at the LP's onset, condensing years into seconds, tracing the shadow childhood trauma casts over a guarded, grown-up love ("You made a rebel of a careless man's careful daughter / You are the best thing that's ever been mine"). Lover is a backtrack in a way. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. Related: Ranking Taylor Swift's 10 Most Viewed Music Videos. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. She also adds that with her recent re-recording of previous albums, Swift has "unlocked something brilliant and fresh in her songwriting," by dipping her toe back into previous eras. Cruel Summer, co-written with St. Vincent, a euphoric three minutes of exhilarating 80s synth-pop, should have been a single. She may be on the outs, but she sure isn't alone. Whilst it has less T-Swiz classics than other releases, across the board its one of Swifts strongest albums, bursting with catchy morsels. By albums end, Swift assesses her crumbling empire and tattered reputation, discovering redemption in loveonly Reputation isnt so much a rebirth as it is a retreat inward. In recent years, shes also become a music business game-changer: most notably for re-recording her first six albums in order to regain control of her masters, which has seen Swift release the Taylors Version of both Red and Fearless. Such contrast in tone and prophecy perfectly capture the beautiful whiplash strewn throughout the album as she walks us through the stages of moving on: willing them to stay ("Treacherous"), drinking with friends to forget ("22"), ending the reconciliation cycle ("We Are Never Ever Getting Back Together"), and starting anew with the next beau ("Begin Again"). Let's be clear: There are no bad Taylor Swift albums. by Slant Staff October 25, 2022 1 Photo: Republic Records Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. Perhaps even more impressive is Swifts mastery of song structure. From Austin Butler and Cate Blanchett to a potential Best Supporting Actress toss-up, see who EW thinks will win at the 2023 Oscars. The best Taylor Swift's Albums rankings are on the top of the list and the worst rankings are on the bottom. " Bad Blood . You could have at least changed RED/FEARLESS to Taylors version. But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. Yet its the lyricism that makes Folklore such an astonishing album, with Swift writing both from her own point of view, as well as exploring other peoples. Written in her freshman year of high school, it positioned her as a country-crossover hopeful ready for mainstream success. To celebrate the release of Swifts tenth album Midnights, here we take a look back on Taylor Swifts entire career and rank her ten albums in order of greatness. "Evermore" takes us deeper into the mystical music-writing forest established by "Folklore," but like many sequels, it doesn't resonate as powerfully as the original. And of course, "Long Live," the last song of the album, is a masterpiece that features the story and emotions of Swift looking at her journey and successes up to that point in time. In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. And that's really all Swift, whose genius for conversational melodies and knack for giving every chorus a telling new twist every time around remain unmistakable trademarks.". Taylor is again musically faithful to the source material she spawned, honoring her then 22-year-old self by jeering and tearing up right on que, though this time with an inherent air of maturity. The finished product is, of course, sterling. Although "Folklore" may not have the mainstream appeal of her previous albums, it's an album longtime fans will appreciate as it highlights her stellar songwriting and pays homage to her acoustic roots. 'All You Had To Do Was Stay' - '1989' Article Continues Below Don't get me wrong, "All You Had To Do Was Stay" is an amazing song that fits perfectly into. Taylor Swift's "Folklore" album cover was photographed by Beth Garrabrant. And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. Morgan Wallen One Thing at a Time (2023) 20. The brooding production glitches and glitters, embracing the indietronica thats permeated the last few The National records. While tracks like Cardigan and Invisible Strings hinge on protracted metaphors, Mad Woman and Peace are blunt and plainspoken. Lover. On this record, Swifts took her new sound and ran with it with thrilling results. But for every purely excellent song off 1989 ("Out Of The Woods," "Clean") there's invariably a hollow foil track, the worst offenses, of course, being "Shake It Off" and "Bad Blood." Acoustic guitars, violins, and banjos enjoy free reign, dancing across tales of childhood friends destined for sparks, short-lived summer love, and backroad rendezvous. Not content with just giving us one surprise album in 2020, Swift returned to her cabin in the woods and a mere five months later released Evermore. This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. But as we all know, Taylor Swift isn't like other artists. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. This Taylor Swift discography is ranked from best to worst, so the top Taylor Swift albums can be found at the top of the list. But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). But the crowned jewel of the record is obviously the long-waited, 10-minute version of "All Too Well," an expansion on the already sprawling song widely considered by critics and fans alike to be her definitive opus (which, for an artist of Taylor Swift's standing, is absolutely saying something). "1989" is packed with standout songs that hold their own, like "Blank Space," featuring masterful lyrics in a pop context;"Wildest Dreams," showcasing a heartbeat driving the song and breathy singing that creates a dreamlike quality; and "How You Get The Girl," serving as a lighthearted, pop-infused love song. today i'm ranking all of taylor swift's songs and music from every album + more! "Should've Said No" carries the same torch with a steadier hand, being one of the three songs she penned completely on her own. Songs like Love Story, You Belong with Me and Fifteen, filled with heart-on-sleeve lyrics and earworm hooks, remain among her best. Theres a free-wheeling, carefree attitude to the collection. So while still an undeniably amazing album, and a true testament to her style's shape-shifting abilities, she can and has done better than 1989 even if it was her second go-around for Album of the Year. Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. How does Midnights compare to its worthy predecessors? The album finds Swift living up to all of the praise she earned for her songwriting earlier in career. The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. On 2012s Red, Swift began her transition from country crossover artist to creating glossy, mainstream pop; on its 2021 re-record we were reminded just what a superb songwriter Swift has always been. Last Night by Morgan Wallen A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. The catalyst was lead single "Tim McGraw," but this ticket to the country radio airwaves turned out to be a red herring with the advent of other ironclad, infinitely repeatable songs that remain fan favorites, even in lieu of our now excess of options. escaped the fate of Pharrell in Minions or Timberlake in Trolls). Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. Meanwhile, The Last Time (featuring Snow Patrols Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. Haim collaboration No Body, No Crime is a full-blown country revenge song, while Long Story Short and Gold Rush fuse Swifts new sound with some 1984-era gloss. If Teardrops on My Guitar from Swifts debut album was her breakthrough song, it was Love Story, the ballad from its follow-up Fearless, that cemented her name in the pop history books. Look, Reputation served a purpose. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. Some songs lean more country ("Mean") whereas others hint at the musical experimentation that would follow in subsequent albums ("Enchanted," "Haunted"), and, yet, the album is a mix of styles that seamlessly blend together. The tracks combined her typical impressive storytelling abilities while tying together strong emotions of frustration that feel at home in "Reputation" (seen in the track "The Man") as well as stories of falling in love and almost losing it that feel at home in "Speak Now" or "Red" (as seen in "Cornelia Street"). "The 1" and "August" tied for the top spot. If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. How do you follow-up Reputation, a revenge album filled with vengeance? But as Pitchfork critic Anna Gaca pointed out, the album may be honest and genuine, but it feels uneven with how much it sways from garish pop singles like "ME!" These subtle parallels between songs form a sheen narrative web that hovers above the awareness of the average listener but dazzles the die-hard fan, who at this point is well accustomed to Swift's scavenger hunt antics. Swift closes the non-deluxe edition of "1989" with "Clean," which adheres to the pop theme but is more low-key and showcases the heartfelt, haunting songwriting she's known for: "The drought was the very worst / When the flowers that we'd grown together died of thirst / It was months and months of back and forth / You're still all over me like a wine-stained dress I can't wear anymore.". "This ain't for the best / My reputation's never been worse, so / You must like me for me," is a perfect thesis for the album as a whole on "Delicate," one of the LP's highpoints for its light-as-air ambiance, late night whispers coasting on a swirling current of synth waves. This only further proves that "Reputation" is a prime example that Swift can experiment with a variety of genres and still create magic. ), and is occasionally clumsy in its comebacks. The contrast of that relationship with the one detailed in "Champagne Problems" makes the latter seem even more heart-wrenching. Rather, reputation is often compelling in its lavish catharsis, best seen on tracks "Gorgeous," "King of My Heart," and "Getaway Car" (which has co-writer/producer Jack Antonoff's handprints all over its Bleachers-like chorus builds). How often I find myself in the mood to listen to . Thus, Taylor Swift is reduced to the last spot on our ranking, partially by default, though also with respect and not without a good fight. Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. And though "All Too Well" is of course her opus in this arena, Speak Now precedes it with an impressive display of her one-off storytelling powers. Welcome to the Taylor Swift song sorter. As critic Jon Caramanica wrote for The New York Times in 2014, this album is filled with catchy pop tracks but it sets itself apart from mainstream music of that genre. Fearless. "I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives," reads her album announcement. 20: 20. But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. The definitive ranking of Taylor Swift's 'Folklore' songs. Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". And I'm telling you, it's going to be a journey. On her first three albums, love is mostly a daydream. "Drew looks at me / I fake a smile so he won't see / that I want and I'm needin' / Everything that we should be" was as good as poetry, and a north star to the forlorning that looms in girlhood. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Fearless, however, just as strongly made the case that Swift had the goods for a long, rich career. The Taylor Swift song sorter and B. to ultimate effect (and influence to mega-fan Olivia Rodrigo's raucous debut). evermore - 85. evermore was Swift's ninth studio album. In short: 1989 is Taylor Swifts masterpiece. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". The album has been described as escapist, cottagecore-inspired, and was written and recorded during the COVID-19 pandemic. And as critic Chris Willman wrote for The Hollywood Reporter in 2010, "Speak Now" saw Swift's music style mature while still keeping elements of her youth that her fans so adored in her previous two albums. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. The album's opening, "Ready For It?," is an aptly-titled shockwave to the system compared to her previous work, abandoning instrumental lead-ins for a feel-it-in-your-bones bass machine accelerating into a rap? 1 as it best represents the evolution of Swift and her music. Pick what song you like better in each battle to get an accurate list of your favourite songs. 'Red' is filled with top notch tunes: the brilliantly snarky 'We Are Never Ever Getting Back Together' (Swift's first ever Billboard 100 Number One) and fizzing '22' are stone-cold smashers. That early nuance and the fact that she wrote this entire album completely on her own is no small feat. After spending the last two years re-recording some of those early releases, including Fearless and Red, Swift has returned with Midnights, her first album of new material since 2020s Evermore. Swift has proven herself capable of laughing at herself, thereby defusing the criticisms often levied at her, but with Reputation she created a larger-than-life caricature of the petty, vindictive snake shes been made out to be. The imagery for the album was filled with snakes, and lyrics subtly (and at times, not so subtly) addressed their falling out. In the 2017 article, Jenkins also noted that this album features hip-hop influences, something Swift hasn't really done before. In her defense, no creative mind can be consistently remarkable, not even one as decorated and revered as Taylor Swift. This time, "All Too Well" retires a full band backing for hazy synths, but it's anything but smoke and mirrors. The album feels incredibly personal to Swift, as the songs are odes to important parts of her life, from her current boyfriend to New York City. The Grammy-winning Mean is amongst Swifts most underrated songs, Sparks Fly is a toe-tapping head-banging anthem and break-up slow-burner Back to December is a karaoke classic. Her self-titled debut stood as her lone and tall titan at the time of its 2006 release, which was immediately met with commercial and critical success, catapulting a then-16-year-old Swift to stardom almost overnight. 1989 instead is sonically joyous without losing dimension or leaning on familiarity. Taylor herself referred to it as her "only true breakup album," and like her today, whatever heartache made us once cling to Red for the solace is (hopefully) behind us now. Released as a surprise sister album to folklore, it focused on Swift's exploration of lyrical storytelling based on tales and experiences that weren't her own. Offers may be subject to change without notice. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. "Red" and "Lover" remain in the middle of the pack. And the majority of Lover proves her path to better things, being an airy, whipped topping "love letter to love," both for the self and for a partner. And though Taylor's never been a stranger to love songs, here, she's more sultry than sweet. After embracing folk-flecked sounds on sister albums Folklore and Evermore, for Midnights Swift instead turns to bubbling synths and percussive beats, this sleek production run under the artists late night musings. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. She's endlessly accessible, easy to understand even in her later, more cryptic works, yet her songwriting is also a blank space (*cue pen-click*) ripe for filling in your personal memories and private associations. But in the meantime, Midnights remains on repeat with high regard. this includes her entire catalogue/discography and eras debut to evermore. It's a melancholy that allows you to wallow on the condition of looking forward after the fact, holding nothing back as you let everything go. All of Taylor Swift's Albums in order + Some unreleased, bonus, and soundtrack songs (only ones that are in a mostly complete state) in table form A mean/mode score calculator under each album Page 2 A macro-enabled automatic ranking table of each album's mean score, with colours that re-orders automatically as you score the songs on Page 1 Page 3 As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") 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